{"id":1692,"date":"2025-08-05T08:35:31","date_gmt":"2025-08-05T06:35:31","guid":{"rendered":"https:\/\/simon-langin.preprodagenceae.xyz\/?p=1692"},"modified":"2026-04-01T13:57:21","modified_gmt":"2026-04-01T11:57:21","slug":"the-way-back","status":"publish","type":"post","link":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/2025\/08\/05\/the-way-back\/","title":{"rendered":"THE WAY BACK"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1692\" class=\"elementor elementor-1692\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-411722d e-flex e-con-boxed e-con e-parent\" data-id=\"411722d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-115f69b elementor-widget__width-inherit elementor-widget elementor-widget-text-editor\" data-id=\"115f69b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\">Mettre au pr\u00e9sent ce qui est pass\u00e9.<\/span><\/p><p><span style=\"font-weight: 400;\">L\u2019exposition THE WAY BACK invoque le cycle de la vie artistique : la transition entre la \u00ab mort \u00bb et la r\u00e9invention d\u2019une \u0153uvre. Ce qui arrive lorsque celles-ci vieillissent ou que de nouvelles apparaissent. La principale force d\u2019une \u0153uvre peut se trouver dans son lien entre son propos et l\u2019\u00e9poque \u00e0 laquelle elle f\u00fbt cr\u00e9\u00e9e. Cependant, si une \u0153uvre est cr\u00e9\u00e9e selon son actualit\u00e9, devons-nous uniquement comprendre son sens dans sa temporalit\u00e9 ? Devons-nous la regarder vieillir puis mourir si l\u2019actualit\u00e9 change ? Le temps passe, les modes changent, l\u2019actualit\u00e9 \u00e9volue et les go\u00fbts se dissipent, mais l\u2019\u0153uvre artistique conna\u00eet aussi son propre cycle de vie. L\u2019interpr\u00e9tation permet l\u2019invention.<\/span><\/p><p><i><span style=\"font-weight: 400;\">THE WAY BACK<\/span><\/i><span style=\"font-weight: 400;\"> expose le cycle de vie d\u2019une \u0153uvre artistique <\/span><span style=\"font-weight: 400;\">qui, dans le cas o\u00f9 elle s\u2019adapte \u00e0 l\u2019\u00e8re de son temps, ne peut ni vieillir, ni <\/span><span style=\"font-weight: 400;\">mourir. Contrairement \u00e0 <\/span><i><span style=\"font-weight: 400;\">FUGUE<\/span><\/i><span style=\"font-weight: 400;\">, qui avait \u00e9t\u00e9 cr\u00e9\u00e9 dans le but de donner un <\/span><span style=\"font-weight: 400;\">second souffle aux spectateurs et aux artistes, <\/span><i><span style=\"font-weight: 400;\">THE WAY BACK<\/span><\/i><span style=\"font-weight: 400;\"> donne une <\/span><span style=\"font-weight: 400;\">nouvelle vie \u00e0 ce qui ne peut mourir.<\/span><\/p><p><span style=\"font-weight: 400;\">Toujours avec l\u2019ambition de m\u00ealer plusieurs formes d\u2019arts en <\/span><span style=\"font-weight: 400;\">un seul et m\u00eame lieu, cette exposition met en avant le travail d\u2019artistes d\u2019horizons diverses\u00a0 (peintres, photographes, plasticiens, chanteuse, danseur) : Bogdan Korczowski, Bastien Cuenot (Smith 367), Michel Tabori, Gatuer Asensi, Kaltblume ou encore Macha et Homaaard (showroom vintage).<\/span><\/p><p>\u00a0<\/p><h5><strong>Cr\u00e9ation 2022 &#8211; l\u2019Impasse Bar, Paris 11e.<\/strong><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Mettre au pr\u00e9sent ce qui est pass\u00e9. L\u2019exposition THE WAY BACK invoque le cycle de la vie artistique : la transition entre la \u00ab mort \u00bb et la r\u00e9invention d\u2019une \u0153uvre. Ce qui arrive lorsque celles-ci vieillissent ou que de nouvelles apparaissent. La principale force d\u2019une \u0153uvre peut se trouver dans son lien entre son [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1528,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[16],"class_list":["post-1692","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-creation"],"_links":{"self":[{"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/posts\/1692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/comments?post=1692"}],"version-history":[{"count":16,"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/posts\/1692\/revisions"}],"predecessor-version":[{"id":2709,"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/posts\/1692\/revisions\/2709"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/media\/1528"}],"wp:attachment":[{"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/media?parent=1692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/categories?post=1692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simon-langin.preprodagenceae.xyz\/index.php\/wp-json\/wp\/v2\/tags?post=1692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}